{"id":689,"date":"2013-12-29T16:39:16","date_gmt":"2013-12-29T15:39:16","guid":{"rendered":"http:\/\/fotoklub-obzor.com\/expo\/?p=689"},"modified":"2017-04-03T19:34:02","modified_gmt":"2017-04-03T17:34:02","slug":"juraj-rek","status":"publish","type":"post","link":"https:\/\/fotoklub-obzor.com\/expo\/2013\/12\/29\/juraj-rek\/","title":{"rendered":"Juraj Rek"},"content":{"rendered":"
<\/div><\/div><\/div><\/div>\n

Juraj Rek<\/h1>\n

Narodil som sa v 1943 roku. Tesne po vojne boli e\u0161te vo vtedaj\u0161\u00edch st\u00e1nkoch \u010dasopisy ako R\u00e9gards a Neue Berliner Zeitung, ktor\u00e9 po vzore americk\u00fdch Vogue, Life at\u010f. boli pln\u00e9 skuto\u010dne vynikaj\u00facich fotografi\u00ed. Ako \u0161tvor-p\u00e4\u0165ro\u010dn\u00fd som nevedel ani nemecky, ani franc\u00fazsky, ale v\u00fdpove\u010f t\u00fdch fotiek bola jasn\u00e1 a otv\u00e1rala o\u010di aj svet. Mama ich ve\u013emi rada a pravidelne kupovala, a\u017e k\u00fdm tomu komunisti nespravili r\u00e1zny koniec. Ale i za ten rok – dva som sa nav\u017edy nau\u010dil ma\u0165 r\u00e1d fotografie, ktor\u00e9 s\u00fa dobr\u00e9 a vedia rozpr\u00e1va\u0165 pr\u00edbehy. Navy\u0161e v rodine bola trad\u00edcia fotografovania udom\u00e1cnen\u00e1. Star\u00e1 mama mala zn\u00e1my fotoateli\u00e9r a m\u00f4j otec to preniesol aj na n\u00e1s. R\u00e1d som pozoroval star\u0161ieho brata ako vyvol\u00e1val fotografie v polievkov\u00fdch tanieroch a tak som sa obozn\u00e1mil s princ\u00edpmi vzniku fotografick\u00e9ho obrazu u\u017e ve\u013emi zav\u010dasu. Ako trin\u00e1s\u0165ro\u010dn\u00fd som od rodi\u010dov dostal prv\u00fd jednoduch\u00fd fotopr\u00edstroj, s ktor\u00fdm som stvoril prv\u00e9 obr\u00e1zky a ten pocit \u0161\u0165astia z vlastoru\u010dne zhotoven\u00fdch fotiek ma neopustil podnes.<\/p>\n

Cel\u00fd \u017eivot som s prest\u00e1vkami ostal tomuto kon\u00ed\u010dku vern\u00fd, i ke\u010f profesion\u00e1lne som bol odviaty inde. Ale nau\u010dil som sa, \u017ee jednotliv\u00e9 odvetvia umenia, kde m\u00e1 svoje miesto i fotografia, s\u00fa prepojen\u00e9 z\u00e1kladn\u00fdmi postul\u00e1tmi. Je to snaha o komunik\u00e1ciu s ostatn\u00fdmi, v\u00fdpove\u010fou o stave sveta svojimi o\u010dami. Je to osloven\u00ed du\u0161e in\u00fdch \u013eud\u00ed. Nau\u010dil som sa, \u017ee nem\u00f4\u017ee by\u0165 umenie, ak niekto kon\u00e1 proti \u013eu\u010fom, ke\u010f \u013eudsk\u00fd v\u00fdtvor ide proti dobru a kr\u00e1se, i ke\u010f prostriedky na toto posolstvo na prv\u00fd poh\u013ead m\u00f4\u017eu p\u00f4sobi\u0165 opa\u010dne.<\/p>\n

V sedemdesiatych rokoch minul\u00e9ho storo\u010dia som sa dostal do \u010dela fotoklubu OBZOR, ktor\u00fd s\u00fastredil vtedaj\u0161\u00edch, podobne postihnut\u00fdch ako som bol ja \u017eilinsk\u00fdch fotoamat\u00e9rov, a pod strechou Domu odborov, kde sme mali i kr\u00e1sn\u00fa v\u00fdstavn\u00fa miestnos\u0165, sme sa dostali i do povedomia verejnosti.<\/p>\n

Moja tvorba zodpoved\u00e1 mojej povahe. I ke\u010f som v\u017edy ok\u00fazlen\u00fd skvelou dokument\u00e1rnou ale i inou fotografickou tvorbou, rob\u00edm takmer v\u00fdhradne krajin\u00e1rsku fotografiu, \u010do s\u00favis\u00ed s moj\u00edm hlbok\u00fdm vz\u0165ahom k pr\u00edrode. Vyu\u017e\u00edvam v\u00fdhody digit\u00e1lnej fotografie a sna\u017e\u00edm sa zauj\u00edma\u0165 tolerantn\u00fd postoj i k nov\u00fdm prejavom fototvorby, ktor\u00e9 modern\u00e9 technol\u00f3gie umo\u017e\u0148uj\u00fa. Mysl\u00edm, \u017ee rozhoduj\u00faca je v\u017edy sila v\u00fdpovede autora.<\/p>\n<\/div><\/section>\n

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